Kettlebells OKC Style: Workshop Review: Part I

I had the outstanding opportunity to participate in two Orange Kettlebell Club (OKC) workshops this past month.  Once again John “Wild” Buckley opened his doors and his training mind and I was eager to learn.  The first workshop was the OKC basics consisting primarily of swings and presses.  The second weekend was the intermediate level, focusing on proper breathing, cleans, jerks and snatches.

The Man: John "Wild" Buckley

I don’t like leaving my readers in the dark and disappointed for not being able to participate along with me so, once again I am taking the opportunity to pass along some of the training gems that I received.  I have divided this article into two parts for easy comprehension and digestion.  I have supplied the article with pictures, doing my best, to show the difference between two different styles (RKC and OKC).  I have not even come close to being well versed in the OKC style of kettlebell lifting so the technique pictures will not be perfect but should be enough to distinguish between the two styles.

Let’s start with the beginner level workshop review; so without further delay let’s get into the good stuff.


John is full of wisdom and simple analogies that reflect his philosophies of kettlebell training.  His best analogy for understanding and properly progressing with kettlebell training is his Honda vs. Ferrari analogy.  Simply stated by John that when you are learning to drive you start with a Honda not a Ferrari, when you are learning kettlebells or a new movement within kettlebell training you go with a light bell, master the movement and then begin to progress whether it be with weight, repetition, or volume increases in training.

I could not agree with him more and this concept eludes most of us during our training times.  Moving a heavier weight with subpar technique because we can is not the right mindset for successful training and may lead to many injuries down the road.  When switching to a heavier kettlebell or adding reps or time within a set, the technique used should transition seamlessly.  I know for my current training I set the kettlebells down if my technique deteriorates and I am not able to correct it with the next rep.


The deadlift is a primary movement that transitions into the swing.  One of the best tips John gave for the deadlift is through another analogy of visualizing that your body is opening up like an umbrella; you start from the bottom (ground). At this point the umbrella is tightly closed. You then extend through your hips (as if you were expanding an umbrella to open wide) until they are underneath you and supporting your body at the top.

When the technique is successful and consistent he likes to transition into the two-arm swing by manually pushing the kettlebell into the backswing at the appropriate time.


According to John, the swing is all about patience and appropriate timing.  Kettlebell movements are all about appropriate lines and angles, when to use force and when to relax; and my personal favorite: when to be a palm tree vs. an oak tree.  During different phases of the swing you want to be able to move freely with the movement of the kettlebell like a palm tree in the wind and when you need to lock out at a particular phase of the movement you need to stabilize your body and make it unmovable, like an oak tree.

The swing is the foundation for all of the other dynamic kettlebell movements so it is important to not only perfect this technique but to refer back to practicing the movement frequently.  A proper swing allows for a more effortless movement and manipulation of the kettlebell which transfers well into more dynamic movements like the clean and snatch.

A proper swing begins with a proper grip.  John teaches more of a sport-style of kettlebell lifting where they often perform many repetitions for a single set.  For a stronger grip which decreases stress of the elbow joint and minimizes ripping of the calluses, many sport kettlebell lifters grip the bell with their fingertips.  John does note that the fingertip grip may be difficult to utilize when using very heavy kettlebells.

Palm Grip (left) and Fingertip Grip (right)

After the grip is set it’s time to learn the swing with the goal being to generate the right amount of force at the appropriate time to get the kettlebell to move upward.   To do this it is wise to become one with the kettlebell, especially on the backswing.

During the backswing John advises to be patient and when you feel the kettlebell start to go downward, allow your body to go with it and into the backswing.  It is during the backswing that you avoid allowing the kettlebell to go below the level of the knees which is bad technique and a possible back breaker.

John provided two great tips to avoid the kettlebell traveling below the knees on the backswing:

  1. Wait until the kettlebell is very close to the body before beginning your backswing and
  2. Allow your arms to physically connect with your thighs during the backswing.  This connection also adds more power when accelerating the kettlebell back up, acting like a coiled spring when you launch your arm off of your hip.

Allow Your Arm to Connect to Your Hip on the Backswing

Proper timing of the hip drive is key to generate the power to move the kettlebell upward.  Much like the deadlift, the hips extend moving the kettlebell upward and at the top the hips are forward and the legs are straight.  While performing the swing it is crucial to maintain your equilibrium and proper body alignment.  Failing to get the hips forward and underneath you puts your body out of proper alignment and when repeated over and over again you are on the road to injuryville.

One nuance with the swing that distinguishes the hard style (RKC) and the sport style (GS) is the way the styles differ in decelerating the kettlebell at the top of the swing.  The RKC style has a putting on the brakes effect where the lats lock the bell down and keep it from going any further.  In the GS style, John uses his body to lean back slightly to decelerate the upward motion.  He does this in order to not fatigue his muscles so a high number of repetitions can be achieved.  Either way you choose to decelerate at the top, the most important point is getting the hips underneath at the top to achieve proper alignment.

Top of Swing RKC Style (left) and GS Style (left)


After numerous swings we worked on pressing and there were some greak take home points.  When you grip the kettlebell during the press, the handle will slide away from the finger tips and rest across the palm in a 45 degree angle.  Before the press the kettlebell will rack against the chest for support.  When beginning the press, drive your fingertips into the handle and begin your press.

Again understanding proper body alignment during a press is essential.  When pressing the kettlebell make sure that the kettlebell is kept directly over the hip at all times; failing to do this will lead to “instant death” as John comically puts it.  At the top of the press, much like the swing, the legs are locked, hips are forward and under the kettlebell.  John’s style has his chest slightly more forward than his hips.  He calls this the “hood ornament” position.  This position was new for me since I have been training more of the RKC style press lockout which has the chest back and the arm aligned with the hip.

Top of Press RKC Style (left) and GS Style (right)


Breathing was briefly discussed and would be put into practice more during the intermediate workshop.  He stated that there are basically two types of breathing and breathing is crucial in dictating the pace of your movement.  Here are the different breathing styles for kettlebell lifting:

Paradox Breathing – Exhaling on exertion.  This method is good for maximal efforts and body stability when you don’t need a lot of air.

Anatomical Breathing – Inhaling on exertion.  GS lifting requires a lot of oxygen and this method allows for a greater amount of air to be taken in which will slow the buildup of lactic acid in the muscles allowing your muscles to last longer and potentially produce more work.

I had a blast during the beginner kettlebell workshop and learned a ton from John “Wild” Buckley.  Next month I will bring you Part II of this article covering what I remember from the intermediate workshop.

In the meantime check out John’s site here:

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Sunday, July 25th, 2010 Kettlebell Training 2 Comments

Orange Kettlebell Club For Haiti

The following is a guest blog post from Debra

Following the catastrophic earthquake that struck Haiti on January 12, 2010, many relief efforts and organizations started reaching out to provide emergency funding, medical supplies, food and shelter. A reported three million people have been affected by this earthquake; innumerable homes and major structures destroyed. This incident hit particularly close to home because I was only 13 years old when the 6.9 Loma Prieta Earthquake hit the Bay Area in 1989. I still remember the incredible damage it did to our homes, bridges and highways. I can only image the devastating effect an earthquake of that magnitude could have on a third-world country like Haiti. There was no doubt in my mind that I wanted to help, but with so many organizations to choose from it became a little overwhelming. So when Doug asked me if I wanted to “Workout with Kettlebells for Haiti,” I thought to myself, “Absolutely!” I probably should have asked a ton of questions, but instead I decided to “trust my trainer.” As always, this is a good and bad idea. GOOD idea because Doug always knows what is best, but BAD because I walked into OKC (Orange Kettlebell Club) with no idea about what I was getting myself into. All I knew was that Doug was excited to learn a NEW Kettlebell style (AKC/IKFF) and all the proceeds went to UNICEF for Haitian Relief.

Upon arrival we were greeted by John Wild Buckly, who I now lovingly refer to as Thor. Thor is no mere mortal; he stands about 6’5″ and is built like a Ford Truck. As he graciously ushered us into the Juno gym there were a little over two-dozen multi-colored Kettlebells staring at me. I have to admit I was a little intimidated because all of the Kettlebells were the same size—HUGE. I’m used to seeing a range of sizes based on weight so I know which ones NOT to use. As more people arrived, everyone started asking each other the same questions. “What is your experience with Kettlebells? Who do you train with? Have you ever done a Kettlebell workshop before?” While there was a range of answers, there were also quite a few serious people training for competition. Competition?!?! I thought because I knew how to do a pretty decent “bottoms-up” press and a “windmill” I was going to be slightly ahead of the game. NOPE!!!

Luckily, John is a great teacher. He started by talking about his training and the different methodologies and styles. He also explained and demonstrated things in such a way that everything just “made sense.” I was completely satisfied after the first five minutes when he taught me how to address the kettlebell to protect my hands and prevent callusing and further tearing. He then went through the basics: swings, cleans and presses. Fundamentally, I started to understand how each move was building upon itself. For instance, in order to “press” the kettlebell you have to “clean it”, in order to “clean it,” you have to “swing” it. By the end of the seminar I was able to perform moves like the “jerk” and the infamous “snatch.” John also taught modifications based on training preferences. Essentially, if you are training for endurance then you have to shorten your technique in order to save time and conserve energy. If you want to get stronger you can modify your moves to help you lift heavier weight safely. But what I found really inspiring about John was that he mastered all of these different techniques and then evolved and developed his own style for competition. That, and the fact that he used “the beast,” which is a 48kg/106lb kettlebell, for most of his demonstrations.

The highlight however was all the feats of strength in the gym that day. For instance, I was in awe of this slender, young, 26-year-old woman who “jerked” a 24kg/53lb kettlebell over her head. Then these two other women “cleaned and pressed” a 12kg/26lb kettlebell for four minutes on each arm. But leave it to Doug to “RISE ABOVE” when he swung the second largest competition kettlebell in the world 70kg/155lb like a CHAMP. I have to admit you know you’re training with the right guy when another incredible trainer complements him on his PURE BADASSNESS! But I couldn’t let Doug have all the fun. So at the end of class I “dead-lifted” the 70kg, which out-weighed me by 43 pounds and is the heaviest weight I have ever lifted.

And just when I thought things couldn’t get any better, John “snatched’ me in the air like a human kettlebell. It was freaking AWESOME!!!!

With a giant smile on my face, I left feeling like I had done something good for the people of Haiti and myself. However, I thought by the end of the seminar I would be able to answer the most controversial Kettlebell question “RKC (Russian Kettlebell Certification) vs. AKC (American Kettlebell Certification)?” It’s like the 1980 Olympics all over again. The Stars and Stripes against the Iron Curtain! Doug “the Body” RKC vs. John “Thor” AKC/IKFF! Unfortunately I don’t know enough about either to provide any sort of educated insight. I only know what feels right for me. I love the RKC basics. It just looks and feels crisp, clean and strong. However, I naturally twist my wrist when I “snatch” which is in line with the AKC “corkscrew snatch.” So how can I deny my body of a movement it was born to do? “I shouldn’t!” As long as I’m training safely, why not follow in John’s foot steps and create a style all my own!

Doug, thanks for recommending this seminar and for being such a great trainer and leader. John, thanks for all your help and for hosting this incredible workshop for those in need.

*Please support and check out a few of John’s sites:

Orange Kettlebell Club

Orange Kettlebell Club Blog

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Saturday, February 20th, 2010 Business, Kettlebell Training No Comments


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